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歐陸迪斯科

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歐陸迪斯科 (英語:Eurodisco;有時也寫為Euro discoEuro-disco)是一種電子音樂流派,由20世紀70年代中期的迪斯科演變而來,[18]該音樂流派在純電子化、機械化和未來主義的元素中融入了歐陸流行樂,[19][20]該音樂流派浮現了很多歐洲音樂製作人和音樂家,其中有喬治·莫羅德爾馬克·塞羅內英語Marc Cerrone弗蘭克·法里安英語Frank Farian,在改編美國迪斯科音樂時也融入了歐陸流行音樂和使用最新的音樂技術,如鼓機英語drum machine電子鼓合成器,從而形成了這一流派。[21]

許多歐洲舞曲的歌詞都是用英語演唱的,儘管演唱者的母語往往不同。此外,該流派還被認為是電子舞曲最早的形式之一,[22][23]同時也被認為是後來電子音樂流派如浩室歐陸舞曲科技舞曲的先驅。

影響

到了1983年,歐陸迪斯科的影響已滲透到美國的舞蹈和流行樂領域,歐洲的製作人和詞曲作者為美國新一代的表演者帶來了靈感。儘管1979年迪斯科在美國的倒退宣告了迪斯科的 "死亡",但隨後歐陸迪斯科風格的成功跨越了搖滾、流行和舞蹈的界限,例如有Blondie的《Call Me英語Call Me (Blondie song)》和勞拉·布拉尼根的《Gloria》。[24]

其中勞拉·布拉尼根的《Branigan英語Branigan (album)》和《Branigan 2英語Branigan 2》(由德國製作人傑克·懷特英語Jack White (music producer)製作)與喬治·莫羅德爾為音樂負責製作的美國樂隊柏林英語Berlin (band)艾琳·卡拉一起,更深入地融入了歐陸迪斯科風格,並獲得了的成功。到了1984年,許多國家的音樂家都開始製作歐陸迪斯科風格的歌曲。在德國,這種音樂的著名實踐者包括Modern TalkingArabesque英語Arabesque (group)Sandra英語Sandra (singer)Fancy英語Fancy (singer)Silent Circle英語Silent Circle、馬克·馬瑞恩、蓮·露絲C. C. Catch。在丹麥的Laban、法國的Magazine 60英語Magazine 60Début de Soirée英語Début de SoiréeMonte Kristo英語Monte Kristo、瑞典的Troll、西班牙的New Baccara和Joy英語Joy (Austrian band)等也與德國藝術家一起在20世紀80年代中後期鞏固了歐陸迪斯科的音樂地位。

在中國大陸,歐陸迪斯科通過香港DJ楊振龍Alex的混音專輯《東方好萊塢明星舞會》(荷東)的傳播而普及,該專輯以楊振龍駐場的舞廳「東方好萊塢明星舞會」命名。「荷東」以及後來發布的專輯《猛士》成為了歐陸迪斯科的代名詞[25][26]

1980年,歐陸迪斯科風行於美國的越南僑民社區,被稱為New Wave,並出現了大量歐陸迪斯科歌曲的越南語翻唱英語Vietnamese diasporic music[27]

參見

參考文獻

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  4. ^ Electronica, Dance and Club Music. Routledge. 5 July 2017 [May 31, 2024]. ISBN 978-1-351-56854-8. ... eurodisco emerged in the mid - 70s and revolved around a simplifica- tion of early disco's polyrhythmic percussion , which it reduced to a pound- ing bass beat ... 
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