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乔瓦尼·费利切·桑切斯

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乔瓦尼·费利切·桑切斯（義大利語：Giovanni Felice Sances，“Sances”也写作“Sancies”“Sanci”“Sanes”或“Sanchez”，约1600年-1679年11月24日），意大利歌唱家、巴洛克时期作曲家，在世时享誉欧洲。

1609年-1614年间，桑切斯在位于罗马的日耳曼大学（英语：Collegio Teutonico）学习。1614年，他曾在歌剧Amor pudico中上台演出。他的职业生涯始于博洛尼亚与威尼斯这两座城市。桑切斯的第一部歌剧Ermiona于1636年首次亮相，其本人也亲自登台演唱Sances studied at the Collegio Germanico in Rome from 1609 to 1614. He appeared in the opera Amor pudico in Rome in 1614. His career then took him to Bologna and Venice. His first opera Ermiona was staged in Padua in 1636, in which he also sang.

1636年，桑切斯前去维也纳，在此地他最初受雇于皇家宫廷，成为一名男高音。在1649年斐迪南三世统治期间，他委任副宫廷乐长（英语：Kapellmeister），此时正乐长为安东尼奥·贝塔利（英语：Antonio Bertali）。二人相互协作，定期将意大利歌剧搬上舞台。桑切斯还创作了如sepolcri、圣乐及室内乐这些类型的作品。In 1636 he moved to Vienna, where he was initially employed at the imperial court chapel as a tenor. In 1649, during the reign of Ferdinand III he was appointed vice-Kapellmeister under Antonio Bertali. He collaborated with Bertali to stage regular performances of Italian opera. He also composed sepolcri, sacred works and chamber music.

1669年贝塔利去世后，他成功任命宫廷乐长一职。出于健康原因，从1673年始，他的副手约翰·海因里希·施梅尔策逐渐承担他的工作。1679年，桑切斯逝于维也纳。In 1669 he succeeded to the post of Imperial Kapellmeister upon Bertali's death. From 1673, due to poor health, many of his duties were undertaken by his deputy Jodhann Heinrich Schmelzer. He died in Vienna in 1679.

作品

宗教音乐作品Sacred works

出版的经文歌集Published motet collections

  • Motetti a una, due, tre, e quattro voci (1638)
  • Motetti a 2, 3, 4, a cinque voci con Litania della BVM (1642) dedicated to Guglielmo Slavata chancellor
  • Salmi a 8 voci (1643) dedicated to Archduke Leopold Wilhelm
  • Salmi brevi a 4 v. concertate (1647, Cardano) dedicated to Ferdinand IV, King of the Romans[1]
  • Antiphonae sacrae una voce decantandae (1648, Cardano) dedicated to Antonio Spindler abbot of the Schottenkirche
  • Motetti a quattro voci ; Venice, 1658

Various works

  • 60 Mass settings including
    • Missa Sanctae Maria Magdalenae (for 6 wind instruments, 6 string instruments, 7 voices, and organ)
    • Missa Solicita
  • Stabat Mater (1670)
  • O Domine Jesu
  • O Deus Meus
  • O Maria Dei genetrix
  • Caro Mea
  • Improperium expectavit cor meum
  • Vulnerasti cor meum
  • Domine quid multiplicati sunt
  • Plagae tuae Domine
  • Iste confessor

世俗音乐作品Secular works

Six operas, of which three lost

  • Opera: L’Ermiona (1636) - lost - libretto by Pio Enea degli Obizzi (1592–1674) on the story of Cadmus and Hermione, performed as an introduction to a tournament.
  • Oratorios: Lachrime di San Pietro (1666) La morte de bellata (1669), Sette consolazioni a Maria Vergine per la morte di Cristo (1670), Il trionfo della Croce (1671), Il Paradiso aperto per la morte di Cristo (1672), L' ingiustitia della sentenza di Pilato (1676)

Published secular music

  • Cantatas book I - lost (date unknown)
  • Cantatas for one voice (Venice 1633)
  • Cantatas for two voices (Venice 1633)
  • Il Quarto Libro, cantatas for one voice, with two duets and one for three voices. (Venice 1636)
  • Capricci Poetici, 23 works (Venice 1649)
  • Trattenimenti musicali per camera, (Venice, 1657), 16 works[2]

Various

  • Mi fai peccato (for 2 voices & basso continuo)
  • Si fera s'uccida, (for 2 voices, strings & basso continuo)
  • Misera, hor si ch'il pianto
  • Chi sa amare e tracer mercede aspetti (canzonetta for 2 voices)
  • Presso l'onde tranquille (for voice & basso continuo)
  • Traditorella che credi (for voice & basso continuo)
  • Perché Vechia gli dissi (for voice & basso continuo)
  • Che sperasti ò mio cor (for voice & basso continuo)
  • Cantata: Lagrimosa beltà (ciaccona) (for 2 voices)
  • Cantata: Non sia chi mi riprende (1636)
  • Dialogo a due. Pastor e Ninfa (1649)
  • Pianto della Madonna cantata per alto e organo

参考资料

  • Il quarto libro delle cantate et arie a voce sola, Venetia, Vincetini, 1636
  • Capricci poetici di Gioan Felice Sances, Venetia, Gardano, 1649
  • Carter, Stewart, "Trombone Obbligatos in Viennese Oratorios of the Baroque", Historic Brass Society Journal, p55, July 1, 1990.
  • Sadie, Julie Anne, ed., "Companion to Baroque Music", University of California Press, 1998. ISBN 0-520-21414-5. Pages 257–8
  • Weaver, Andrew H., "Music in the Service of Counter-Reformation Politics: The Immaculate Conception at the Habsburg Court of Ferdinand III (1637–1657)", Oxford University Press, 2006.
  • Rosand, Ellen, "The Descending Tetrachord: An Emblem of Lament", The Musical Quarterly, 1979 LXV(3):346–359; doi:10.1093/mq/LXV3.346, Oxford University Press, 1979
Specific
  1. ^ dedication table. [2020-12-26]. （原始内容存档于2017-09-05）. 
  2. ^ The Italian Cantata in Vienna: Entertainment in the Age of Absolutism 0253010349 Lawrence Bennett - 2013 "The two cantata volumes from this time are the Capricci poetici (Venice, 1649), which includes twenty-three pieces, and the Trattenimenti musicali per camera (Venice, 1657), with sixteen compositions.

Recordings

外部链接

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