File:Dido in Despair (caricature) RMG PW3874.tiff
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原始檔案 (4,800 × 3,781 像素,檔案大小:51.92 MB,MIME 類型:image/tiff)
摘要
作者 |
H. Humphrey; James Gillray |
描述 |
English: Dido in Despair (caricature) Print 'Dido in Despair (caricature)'. This print satirizes the scandalous relationship between Nelson and Emma Hamilton, casting them in the roles of Dido and Aeneas, the central love interest of the classical Roman poet Virgil’s epic, the Aeneid. Spurred on by the gods and his sense of public duty, Aeneas abandons Dido in Carthage in order to found Rome. Gillray plays with heavy irony upon the parallels between the Virgilian narrative and the recent history of Nelson and Emma: after the Battle of the Nile, Nelson recuperated at length (and notoriously) at the home of Sir William and Emma, Lady Hamilton, at Naples. They eventually returned to England in November 1800, by which time Emma was seven months pregnant with Nelson’s child. Nelson, promoted to vice-admiral, resumed duty as second-in-command of the Channel Fleet on 17 January 1801. The print, therefore, refers to this parting, with Emma, excessively fat, in an ‘attitude’ of despair, voicing the sentiments contained in the verse caption: 'Ah, where, & ah where, is my gallant Sailor gone? – He’s gone to Fight the Frenchmen, for George upon the Throne, He’s gone to Fight ye Frenchmen, t’loose t’other Arm & Eye, And left me with the old Antiques, to lay me down, & cry.' The last line refers to Emma’s aged husband asleep in the bed beside her. Meanwhile, a range of grotesque and suggestively ribald objects on the table, floor and settee refer to the sexual improprieties of her and Nelson’s relationship and undercut the pretensions of the classical allusions. |
日期 | Published 6 February 1801 |
尺寸 | Primary support: 250 mm x 353 mm; Mount: 405 mm x 556 mm |
備註 | Box Title: Caricatures 7. Nelson, General. |
來源/攝影者 | http://collections.rmg.co.uk/collections/objects/128009 |
授權許可 (重用此檔案) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
Identifier InfoField | id number: PAF3874 |
Collection InfoField | Fine art |
授權條款
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制;參見再利用PD-Art照片以獲得進一步資訊。 |
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日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
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目前 | 2017年9月26日 (二) 15:24 | ![]() | 4,800 × 3,781(51.92 MB) | Fæ | Royal Museums Greenwich Fine art (1801), http://collections.rmg.co.uk/collections/objects/128009 #3483 |
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寬度 | 4,800 px |
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高度 | 3,781 px |
每像素位元 |
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壓縮方式 | 未壓縮 |
像素合成 | RGB |
影像資料位置 | 140 |
像素數量 | 3 |
每帶行數 | 3,781 |
每壓縮帶位元組數 | 54,446,400 |
資料排列 | 矮胖格式 |