比特·富勒尔

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比特·富勒尔 2014

比特·富勒尔（英語：Beat Furrer，1954年12月6日—）是出生于瑞士的奥地利作曲家和指挥。自1991年以来，他一直担任格拉茨音乐与表演艺术大学的作曲教授。他于2018年获得了恩斯特·冯·西门子音乐奖。

生平

富勒尔出生于瑞士沙夫豪森，1975年移居维也纳，在罗马音乐和表演艺术大学（英语：Roman Haubenstock-Ramati）就读，作曲师从Haubenstock-Ramati（英语：Haubenstock-Ramati）,指挥师从Otmar suitner（英语：Otmar Suitner）[1][2] 1985年，他与别人共同创立了现在欧洲最著名的当代音乐乐团之一Klangforum Wien（英语：Klangforum Wien），并任指挥。[3][4]

Klangforum Wien25周年庆典于2010年在Wittener Tagefürneue Kammermusik（英语：Wittener Tagefürneue Kammermusik）举行，他的《Xenos-Szenen》进行了首演。[5]

作品

管弦乐队作品

  • Tiro mis tristes redes, 为管弦乐队 (1984)
  • Dort ist das Meer, 为合唱与管弦乐队 (1985)
  • Chiaroscuro – For R.H.R., 为管弦乐队 (1983/86)
  • Risonanze, 为分成三组的管弦乐队 (1989)
  • Studie – Übermalung, 为管弦乐队 (1990)
  • Face de la Chaleur, 为长笛与管弦乐队 (1991)
  • Madrigal, 为管弦乐队 (1992)
  • Nuun, 为两台钢琴与管弦乐队 (1996)
  • andere stimmen, 为小提琴与管弦乐队 (2003)
  • canti notturni, 为两名女高音与管弦乐队 (2006)
  • PHAOS, 为管弦乐队 (2006)
  • Konzert, 为钢琴和管弦乐队 (2007)
  • Apon, 为管弦乐队与朗诵 (2009)
  • strane costellazioni, 为管弦乐队 (2013)
  • passaggio, 为合唱与管弦乐队 (2014)
  • Zwei Studien, 为室内管弦乐队 (2015)

室内乐团作品

  • Ensemble, for 4 clarinets, 2 pianos, vibraphone and marimbaphone (1983)
  • Sinfonia per archi, for string orchestra (1985)
  • Illuminations, for soprano and chamber ensemble (1985)
  • In der Stille des Hauses wohnt ein Ton, for chamber ensemble (1987)
  • Gaspra, for ensemble (1988)
  • à un moment de terre perdue, for ensemble (1990)
  • Narcissus-Fragment, for 26 musicians and two voices (1993)
  • Narcissus-Suite (1996)
  • Still, for ensemble (1998)
  • Ein Lied, das über das Ende des Liedes hinaus ein anderes Ende finden wollte, for ensemble (2001)
  • Invocation III, for soprano and ensemble (2004)
  • recitativo, for voice and ensemble (concert version of the scene 3 from FAMA (2004))
  • Konzert, for piano and ensemble (2008)
  • lotófagos II, for two sopranos and ensemble based on texts by Händl Klaus and Antonio Machado
  • antichesis, for 14 strings (2006)
  • Xenos I, for ensemble (2008)
  • Xenos II, for ensemble and voice based on a text by Händl Klaus (2009)
  • Xenos III, for two percussionists and strings (2010/13)
  • Linea dell’orizzonte, for ensemble (2012)
  • La bianca notte, for soprano, baritone and Ensemble based on texts by Dino Campana und Sibilla Aleramo (2013)
  • Canti della tenebra, for mezzo-soprano und ensemble based on a text by Dino Campana (2014)

室内乐作品

  • Irgendwo. Fern, for two pianos (1983)
  • Poemas, for mezzo-soprano, guitar, piano and marimba (1985)
  • String Quartet No. 1 (1985)
  • Duo, for two violoncelli [Titel before 1995: Chant] (1985)
  • Trio, for flute, oboe or saxophone and clarinet (1985)
  • Music for Mallets, for xylophone, marimba and vibraphone (1985)
  • Retour an Dich, for violin, violoncello and piano (1986)
  • ... y una canción desesperada, for three Guitars (1987)
  • Stimmen, for two violoncelli (1989)
  • Epilog, for three violoncelli (1988)
  • Epilog, version for contrabass clarinet, two violoncelli, percussion and voice (1989)
  • String Quartet No. 2 (1989)
  • Aer, for piano, clarinet and violoncello (1991)
  • Für Alfred Schlee, for string quartet (1991)
  • … cold and calm and moving, for flute, harp, violin, viola and violoncello (1992)
  • Lied, for violin and piano (1993)
  • Time Out 1, for flute, harp and strings (1995)
  • Quartett, for four percussion players (1995)
  • Time Out 2, for flute, harp and strings (1996)
  • presto con fuoco, for flute and piano (1998)
  • a due, for viola and piano (1998)
  • spur, for piano and string quartet (1998)
  • Aria, for soprano and six instruments [clarinet, percussion, piano, violin, viola and violoncello] based on a text by Günter Eich (1999)
  • auf tönernen füssen, for voice and flute based on a text by Friederike Mayröcker (2000)
  • Sei Venuta di Marzo, for string quartet and vocal quartet (2003)
  • String Quartet No. 3 (2004)
  • APOKLISIS, for two bass clarinets (2004)
  • Invocation VI, for soprano and flute (2004)
  • FAMA VI, for voice and contrabass flute (2005)
  • lotófagos I, for soprano und double bass (2006)
  • fragmentos de un libro futuro, for soprano and guitar quartet (2007)
  • ... ferner Gesang ..., for clarinet and string trio
  • Ira – Arca, for bass flute and double bass (2012)
  • Canti della tenebra, for mezzo-soprano and piano based on texts by Dino Campana (2013)
  • spazio immergente, for soprano and trombone (2015)
  • Clarinet Quintet (2016)

独奏作品

  • Frau Nachtigall, for violoncello (1982)
  • voicelessness – the snow has no voice, for piano (1987)
  • Stimme – allein, for baritone based on Leonce and Lena by Georg Büchner (1997)
  • solo, for violoncello (2000)
  • Phasma, for piano (2002)
  • Melodie – fallend, for piano (2003)
  • Drei Klavierstücke, for piano (2004)
  • Studie, for piano (2011)
  • Kaleidoscopic Memories, for double bass and electronics (2016)

人声作品

  • Dort ist das Meer – nachts steig ich hinab, for choir and orchestra (1986)
  • Ultimi cori, for mixed choir (four voices) and three percussionists (1989)
  • Stimmen/Quartett, for mixed choir and four percussion players (1996)
  • Psalm »Gloria tibi Domine«, for mixed choir a cappella (eight voices) (1998)
  • voices – still, for mixed choir (four voices) and ensemble (2001)
  • Orpheus' Bücher, for choir and orchestra based on texts by Cesare Pavese, Ovid and Virgil (2001)
  • Enigma I, for mixed choir a cappella in four groups (text by Leonardo da Vinci) (2007)
  • Enigma II, for mixed choir a cappella (text by Leonardo da Vinci) (2009)
  • Enigma III, for mixed choir a cappella (text by Leonardo da Vinci) (2009)
  • Enigma IV, for mixed choir a cappella (text by Leonardo da Vinci) (2010)
  • Enigma V, for choir a cappella (2012)
  • Enigma VI, for mixed choir a cappella (text by Leonardo da Vinci) (2013)
  • Enigma VII, for mixed choir a cappella (text by Leonardo da Vinci) (2015)
  • passaggio, for choir and orchestra (2014)
  • Herbst, for choir a capella (2015)
  • Spazio Immergente II, for 2x16 voices and percussion (text by Lukrez (de rerum natura)) (2016)

音乐剧、歌剧作品

  • Die Blinden, chamber opera in one act based on texts by Maurice Maeterlinck, Plato, Friedrich Hölderlin and Arthur Rimbaud (1989/90)
  • Narcissus, opera in six scenes based on Ovids "Metamorphoses" (1992/1994)
  • Begehren, music theatre based on texts by Cesare Pavese, Günter Eich, Ovid and Virgil (2001)
  • Invocation, opera based on texts by Marguerite Duras (2002/2003)
  • FAMA, listening theatre in eight scenes for large ensemble, eight voices and actress based on texts by Ovid and Arthur Schnitzler (2004/2005)
  • Wüstenbuch, music theatre based on texts by Händl Klaus, Ingeborg Bachmann, Antonio Machado and Lucretius, as well as Papyrus Berlin 3024 (2010)
  • La Bianca Notte, an opera of characters in seventeen scenes based on texts by Dino Campana, Sibilla Aleramo, Leonardo da Vinci, Filippo Tommaso Marinetti and Carlo Pariani (2015)
  • Violetter Schnee based on a libretto by Vladimir Sorokin (2017)[6][7]

參考資料

  1. ^ Beat Furrer erhält Ernst von Siemens Musikpreis. Die Zeit (Hamburg). 2018-01-23 [2018-01-30]. （原始内容存档于2019-04-16） （德语）. 
  2. ^ Beat Furrer's biography （页面存档备份，存于互联网档案馆） on Cdmc website
  3. ^ Braunmüller, Robert. Beat Furrer ist der Preisträger 2018. Abendzeitung (München). 2018-01-23 [2018-01-30]. （原始内容存档于2019-04-16） （德语）. 
  4. ^ Template:BrahmsOnline
  5. ^ "Solche Musik stirbt nie", review in Frankfurter Allgemeine Zeitung, 30 April 2010
  6. ^ Pachl, Peter P. Mit zahlreichen ästhetischen Querverweisen – Uraufführung von Beat Furrers "Violetter Schnee" an der Staatsoper. neue musikzeitung (Regensburg). 2019-01-14 [2019-01-15] （德语）. 
  7. ^ Amling, Ulrich. Unter fremder Sonne. Der Tagesspiegel (Berlin). 2019-01-15 [2019-01-15]. （原始内容存档于2019-07-27） （德语）. 

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