File:The Barque of Dante.jpg
原始檔案 (1,336 × 1,001 像素,檔案大小:182 KB,MIME 類型:image/jpeg)
摘要
歐仁·德拉克羅瓦:The Barque of Dante | ||||||||||||||||||||||||
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作家 | ||||||||||||||||||||||||
標題 |
法文: Dante et Virgile aux enfers, dit aussi La Barque de Dante Dante and Virgil in Hell, also known as The Barque of Dante title QS:P1476,fr:"Dante et Virgile aux enfers, dit aussi La Barque de Dante"
label QS:Lfr,"Dante et Virgile aux enfers, dit aussi La Barque de Dante"
label QS:Len,"Dante and Virgil in Hell, also known as The Barque of Dante" |
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物體類型 |
畫作 object_type QS:P31,Q3305213 |
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藝術類型 | 風俗藝術 | |||||||||||||||||||||||
描述 |
Dante and Virgil in Hell, Painting of Dante's »Divine Comedy, Inferno«, 8. Singing |
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描繪人物 | ||||||||||||||||||||||||
日期 |
1822年 date QS:P571,+1822-00-00T00:00:00Z/9 |
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表現方法 |
布面油畫 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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尺寸 |
高度:189釐米;寬度:241釐米 dimensions QS:P2048,189U174728 dimensions QS:P2049,241U174728 |
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藏於 |
institution QS:P195,Q19675 |
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目前所在位置 |
未曝光 |
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登錄號 |
3820 |
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物件歷史 | Acquired by the Salon 1822, at the Louvre since 1985 | |||||||||||||||||||||||
展覽史 | Salon de 1822 | |||||||||||||||||||||||
題字 |
簽名以及日期 下方 右側: Eug. Delacroix / 1822
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參考文獻 |
Musée du Louvre, Atlas database: entry 22749 Joconde database: entry 000PE000940 |
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權威檔案 | ||||||||||||||||||||||||
來源/攝影者 |
Web Gallery of Art: 圖像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/d/delacroi/1/103delac.html" |
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其他版本 |
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日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
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目前 | 2008年6月22日 (日) 21:31 | 1,336 × 1,001(182 KB) | سندباد~commonswiki | {{Information |Description={{en|1={{en|The Barque of Dante}}{{fr|La Barque de Dante}} by {{Creator:Eugène Ferdinand Victor Delacroix}}}} |Source=The Louver |Author=سندباد |Date=1822 |Permission={{PD-old}} |other_versions= }} |
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JPEG 檔案備註 | DELACROIX, Eugène
(b. 1798, Charenton-Saint-Maurice, d. 1863, Paris) The Barque of Dante 1822 Oil on canvas, 189 x 246 cm Musée du Louvre, Paris The first of Delacroix's paintings to achieve true notoriety, Dante and Virgil in Hell or The Barque of Dante, exemplifies a duality that pervaded his entire career. The shared influence of Michelangelo and Rubens is manifest here, but there is also a savour of the revolution so thunderously proclaimed by his friend and elder, Theodore Géricault, in his immortal painting, The Raft of the Medusa (1819). The Barque of Dante was submitted to the Salon in 1822, and makes clear acknowledgement of its debt to Géricault's The Raft of the Medusa. Indeed, the influence of that painting can be traced for many years afterwards in Delacroix's work, for example, in his Christ on the Lake of Gennesaret (1854) or The Shipwreck of Don Juan (1840). The 'stage-setting' of The Barque of Dante looks forward to Baudelaire's pronouncement that Delacroix is an 'essentially literary' painter. But Delacroix had something much more important to leam from the Raft. In expressing the predicament of the shipwrecked everywhere in the world, Géricault had laid the foundations of an aesthetic revolution. The Raft of the Medusa marks the first appearance in painting of 'the ugly' and thereby proclaims its scrupulous respect for the truth, however repulsive the truth might be. This concern for truth is integral to the Romantic temperament. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 16 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/19_cent/liszt_dante.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Franz Liszt: Dante-sonata</B></A> </TD></TR></TABLE>
--- Keywords: -------------- Author: DELACROIX, Eugène Title: The Barque of Dante Form: painting Time-line: 1801-1850 School: French Type: other |
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