摘要

勞倫斯·阿爾瑪-塔德瑪：​Phidias Showing the Frieze of the Parthenon to his Friends
艺术家	勞倫斯·阿爾瑪-塔德瑪  (1836–1912)      其他姓名 Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema 描述 荷兰-英国畫家、​製圖員、​蝕刻師和插畫家 出生/逝世日期 1836年1月8日  1912年6月25日  出生/逝世地点 Dronryp 威斯巴登 工作时期 1851-1912 工作地点 安特卫普 (1852-1865), 吕伐登 (1855), 科隆 (1861), 庞贝 (1863-1864), 巴黎 (1864), 布鲁塞尔 (1865-1870), 倫敦 (1868, 1870-1912), Egypt (1902-1903) 權威控制 : Q240526 VIAF: 68986036 ISNI: 0000000081483905 ULAN: 500008100 Open Library: OL5558878A DBNL: alma001 WorldCat creator QS:P170,Q240526
标题	英语： Pheidias and the Frieze of the Parthenon  title QS:P1476,en:"Pheidias and the Frieze of the Parthenon " label QS:Len,"Pheidias and the Frieze of the Parthenon " label QS:Lfr,"Phidias montrant la frise du Parthénon à un ami" label QS:Lla,"Phidias protypos Parthenonis amicis suis monstrans"
物体类型	畫作
藝術類型	歷史畫
描绘人物	菲迪亞斯
日期	1868年
表现形式	油彩在帆布上方
尺寸	高度：​72厘米 ；寬度：​110.5厘米  dimensions QS:P2048,+72U174728 dimensions QS:P2049,+110.5U174728
館藏	Birmingham Museums Trust    地址 伯明翰 , 英国 坐标 52° 28′ 48.18″ 北, 1° 54′ 12.87″ 西   網站 www.birminghammuseums.org.uk  權威控制 : Q4916759 VIAF: 316390754 LCCN: nb2015009910 WorldCat institution QS:P195,Q4916759
现存地点	Birmingham Museums Trust
登录号	1923P118 (Birmingham Museums Trust)
备注	English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right in the Parthenon.[1] Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a youth, Alcibiades, with his lover, Socrates.[2][3][4] The painting is currently housed (2021) in the Birmingham Museum and Art Gallery.
参考	https://www.birminghammuseums.org.uk/explore-art/items/1923P118/pheidias-and-the-frieze-of-the-parthenon  Art UK artwork ID：​pheidias-and-the-frieze-of-the-parthenon-33742
来源/摄影师	Birmingham Museums
其他版本	本檔案有一個提取出的圖像：​1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends (cropped).jpg。 Detail, Socrates and Alcibiades

许可协议

这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域： Public domainPublic domainfalsefalse 本作品在其来源国以及其他著作权期限是作者逝世后100年或以下的国家和地区属于公有领域。 这个作品在美利坚合众国属于公有领域，因为它首次发布早于1929年1月1日，或于该日期之前在美国著作权局登记。 本文件已被确认为免除已知的著作权法限制（包括所有相关权利）。 https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse 维基媒体基金会的官方立场认为：“对平面公有领域艺术品的忠实再制作品也属于公有领域。” 因此，可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区，再利用此内容可能存在限制；参见再利用PD-Art照片了解详细信息。

References

1. ↑ See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
2. ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
3. ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
4. ↑ "Little is actually known of the life of Phidias, but Alma-Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2

Socrates

Alcibiades

Pericles

Aspasia